من جماليات البنية الضدّية في الخطاب القرآني ــ دراسة تطبيقيّة على بعض النماذج القرآنية ــ

Abstract

 Structural antonymy is considered one of the most prominent stylistic constituents of the Holy Quran and one of the artistic foundations of its discourse. It is also one of the features that establish its intricate textual relationships and components which help understand its meanings and their synonyms. The holy text makes use of this stylistic characteristic in the Arabic language because of its peculiar impact on showing, clarifying and disclosing the dimensions, semantic traits and aims of meaning. This phenomenon is based on the duality of antonymy and synonymy. This duality falls within its expressions and structures increasing their pleasantness and power of excitement. It also falls within its meanings increasing their power and clarity. This feature makes of the Quranic style even more rhetorical, more aesthetic, more eloquent, more stylish and more pleasant. Therefore, this study relies on a descriptive and analytical methodology which fits the nature of the topic and which goes beyond delimiting the phenomenon in order to depict its aesthetics and its significance and to investigate its mysteries, functions and impacts in a Quranic context. All this is achieved through scrutinizing some Quranic samples plainly characterized by their uniqueness and creativity in such an attractive and effective artistic feature.