The Rhetoric of Photography and the Symbolism of Imagination in the Text "Ya Mozno Erhal"For the poet Sami Nassif

Abstract

This paper seeks to apply a set of critical mechanisms to the text " Ya Mozno Erhal " by the Egyptian poet Sami Nasef. By studying the development taking place in it at the level of phrase, architecture, obsession and question. Studying the dominant text aesthetics and reading what the text did not say. It is a characteristic that calls on the recipient to the necessity of re-reading and interpretation in search of the aesthetics, goals and objectives of this text in a manner contrary to the previous deconstruction methods, and this is what we have worked to track and try to interpret.