Margin Layout and its Representations in the Postmodern Algerian Novel "Alhbb lylan _fi hadrat al'aewar alddjjal_" as a Model

Abstract

The Algerian postmodern novel, which is usually dated from the beginning of the third millennium, occupies a great value in Algerian literary creativity by transcending the limited vision that characterized the modernist novel, in exchange for its serious openness to work on the idea of the implicit and the unspoken based on a re-reading of past history. Not for the sake of remembrance and sanctification, but rather to question it, review its details, and try to project that on the contemporary reality of Algeria. To achieve this goal, we chose the novel “Alhbb lylan _fi hadrat al'aewar alddjjal” by the novelist (Izzedine Jalawji) to approach it according to the mechanisms of cultural criticism and try to dismantle some of its problems as one of the Literary works that presented a bold questioning of past memory, with the aim of making marginalized voices heard and raising puzzling questions that haunt contemporary Algerian people.At the end of this study, we reach to reveal the strategy that the novelist worked on in order to interrogate the marginalized and expose the cultural patterns that have long been deposited in the Algerian cultural imagination over many decades