مسرح جمعية العلماء المسلمين الجزائريين (تأسيسه، مرجعياته، أهدافه)

Abstract

This study seeks to provide an image of the Algerian Muslim Scholars Association theater, Tracing its evolution according to a chronological path, Since the issuance of the first theatrical work of one of the association's flags «Muhammad Al-Eid Al Khalifa in his poetic play Bilal bin Rabah» Down to the development, breadth and richness of the experiences of this theater, And ending with its cessation after the start of the struggle theater of the Algerian National Liberation Front, The study also stands in some detail at the most important references on which this theater was based Represented in the historical reference with its three sources: the Arab-Islamic source, the Maghreb source, and the foreign source, In addition to that, the social reference through which the playwrights of the association sought to address the various pests that were gnawing at the heart of Algerian society, These experiences were the medicine for such social ills, Our study also highlighted the most important goals pursued by this theater, Which, in its entirety, aimed at reviving the Algerian personality in its Arab and Islamic dimensions, And awakening the Arab national feeling by drawing inspiration from historical figures, In addition to preserving the nation's foundations.