الديني والايديولوجي في السينما الايرانية

Abstract

The pages of this article aimed at presenting appearances of religion as an ideology in the Iranian Cinematic Speech after passing through crucial stages in the Iranian cinema which have gone hand in hand with the turning transformation to the theocratical system, and all this happens by presenting a theocratic matter that reflects the outcomes of the Iranian cinematic experiment under the supervision and the control of the country after the cultural revolution