جماليات توظيف النص الديني في قصص مريم بغيبغ

Abstract

This research paper tries to stand a critical pause with contemplation and introspection when employing the religious text represented in the Holy Qur’an and the noble prophetic hadith in the very short story of the Algerian writer (Maryam Bghibagh) through its two very short short stories (priests - Saalouk Haddati) in order to indicate the layers of the text, Or the absent religious texts that formed it, with a search for the aesthetics of this religious employment in the very short story of Meriem Bghibagh.